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白噪音(White Noise) (英文版)作者:唐·德里罗(Don DeLillo)-第23部分
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He went upstairs with the three kids to watch TV。 Heinrich walked into the kitchen; sat at the table and gripped a fork tightly in each hand。 The refrigerator throbbed massively。 I flipped a switch and somewhere beneath the sink a grinding mechanism reduced parings; rinds and animal fats to tiny drainable fragments; with a motorized surge that made me retreat two paces。 I took the forks out of my son's hands and put them in the dishwasher。
〃Do you drink coffee yet?〃
〃No;〃 he said。
〃Baba likes a cup when she gets back from class。〃
〃Make her tea instead。〃
〃She doesn't like tea。〃
〃She can learn; can't she?〃
〃The two things have pletely different tastes。〃
〃A habit's a habit。〃
〃You have to acquire it first。〃
〃That's what I'm saying。 Make her tea。〃
〃Her class is more demanding than it sounds。 Coffee relaxes her。〃
'That's why it's dangerous;〃 he said。
〃It's not dangerous。〃
〃Whatever relaxes you is dangerous。 If you don't know that; I might as well be talking to the wall。〃
〃Murray would also like coffee;〃 I said; aware of a small note of triumph in my voice。
〃Did you see what you just did? You took the coffee can with you to the counter。〃
〃So what?〃
〃You didn't have to。 You could have left it by the stove where you were standing and then gone to the counter to get the spoon。〃
〃You're saying I carried the coffee can unnecessarily。〃
〃You carried it in your right hand all the way to the counter; put it down to open the drawer; which you didn't want to do with your left hand; then got the spoon with your right hand; switched it to your left hand; picked up the coffee can with your right hand and went back to the stove; where you put it down again。〃
〃That's what people do。〃
〃It's wasted motion。 People waste tremendous amounts of motion。 You ought to watch Baba make a salad sometime。〃
〃People don't deliberate over each tiny motion and gesture。 A little waste doesn't hurt。〃
〃But over a lifetime?〃
〃What do you save if you don't waste?〃
〃Over a lifetime? You save tremendous amounts of time and energy;〃 he said。
〃What will you do with them?〃
〃Use them to live longer。〃
The truth is I don't want to die first。 Given a choice between loneliness and death; it would take me a fraction of a second to decide。 But I don't want to be alone either。 Everything I say to Babette about holes and gaps is true。 Her death would leave me scattered; talking to chairs and pillows。 Don't let us die; I want to cry out to that fifth century sky ablaze with mystery and spiral light。 Let us both live forever; in sickness and health; feebleminded; doddering; toothless; liver…spotted; dim…sighted; hallucinating。 Who decides these things? What is out there? Who are you?
I watched the coffee bubble up through the center tube and perforated basket into the small pale globe。 A marvelous and sad invention; so roundabout; ingenious; human。 It was like a philosophical argument rendered in terms of the things of the world— water; metal; brown beans。 I had never looked at coffee before。
〃When plastic furniture burns; you get cyanide poisoning;〃 Heinrich said; tapping the Formica tabletop。
He ate a winter peach。 I poured a cup of coffee for Murray and together the boy and I went up the stairs to Denise's room; where the TV set was currently located。 The volume was kept way down; the girls engaged in a rapt dialogue with their guest。 Murray looked happy to be there。 He sat in the middle of the floor taking notes; his toggle coat and touring cap next to him on the rug。 The room around him was rich in codes and messages; an archaeology of childhood; things Denise had carried with her since the age of three; from cartoon clocks to werewolf posters。 She is the kind of child who feels a protective tenderness toward her own beginnings。 It is part of her strategy in a world of displacements to make every effort to restore and preserve; keep things together for their value as remembering objects; a way of fastening herself to a life。
Make no mistake。 I take these children seriously。 It is not possible to see too much in them; to overindulge your casual gift for the study of character。 It is all there; in full force; charged waves of identity and being。 There are no amateurs in the world of children。
Heinrich stood in a corner of the room; taking up his critical…observer position。 I gave Murray his coffee and was about to leave when I glanced in passing at the TV screen。 I paused at the door; looked more closely this time。 It was true; it was there。 I hissed at the others for silence and they swiveled their heads in my direction; baffled and annoyed。 Then they followed my gaze to the sturdy TV at the end of the bed。
The face on the screen was Babette's。 Out of our mouths came a silence as wary and deep as an animal growl。 Confusion; fear; astonishment spilled from our faces。 What did it mean? What was she doing there; in black and white; framed in formal borders? Was she dead; missing; disembodied? Was this her spirit; her secret self; some two…dimensional facsimile released by the power of technology; set free to glide through wavebands; through energy levels; pausing to say good…bye to us from the fluorescent screen?
A strangeness gripped me; a sense of psychic disorientation。 It was her all right; the face; the hair; the way she blinks in rapid twos and threes。 I'd seen her just an hour ago; eating eggs; but her appearance on the screen made me think of her as some distant figure from the past; some ex…wife and absentee mother; a walker in the mists of the dead。 If she was not dead; was I? A two…syllable infantile cry; ba…ba; issued from the deeps of my soul。
All this pressed in seconds。 It was only as time drew on; normalized itself; returned to us a sense of our surroundings; the room; the house; the reality in which the TV set stood—it was only then that we understood what was going on。
Babette was teaching her class in the church basement and it was being televised by the local cable station。 Either she hadn't known there would be a camera on hand or she preferred not to tell us; out of embarrassment; love; superstition; whatever causes a person to wish to withhold her image from those who know her。
With the sound down low we couldn't hear what she was saying。 But no one bothered to adjust the volume。 It was the picture that mattered; the face in black and white; animated but also flat; distanced; sealed off; timeless。 It was but wasn't her。 Once again I began to think Murray might be on to something。 Waves and radiation。 Something leaked through the mesh。 She was shining a light on us; she was ing into being; endlessly being formed and reformed as the muscles in her face worked at smiling and speaking; as the electronic dots swarmed。
We were being shot through with Babette。 Her image was projected on our bodies; swam in us and through us。 Babette of electrons and photons; of whatever forces produced that gray light we took to be her face。
The kids were flushed with excitement but I felt a certain disquiet。 I tried to tell myself it was only television—whatever that was; however it worked—and not some journey out of life or death; not some mysterious separation。 Murray looked up at me; smiling in his sneaky way。
Only Wilder remained calm。 He watched his mother; spoke to her in half…words; sensible…sounding fragments that were mainly fabricated。 As the camera pulled back to allow Babette to demonstrate some fine point of standing or walking; Wilder approached the set and touched her body; leaving a handprint on the dusty surface of the screen。
Then Denise crawled up to the set and turned the volume dial。 Nothing happened。 There was no sound; no voice; nothing。 She turned to look at me; a moment of renewed confusion。 Heinrich advanced; fiddled with the dial; stuck his hand behind the set to adjust the recessed knobs。 When he tried another channel; the sound boomed out; raw and fuzzy。 Back at the cable station; he couldn't raise a buzz and as we watched Babette finish the lesson; we were in a mood of odd misgiving。 But as soon as the program ended; the two girls got excited ag
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